Selena: Capriccio/Secrets
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Capriccio's Secret 1
Apart from mastering existing languages, she has also tried to create her own and sing it in certain arias. Such melodies often contain more emotions.
Capriccio's Secret 2
The constructed language has also appeared in the draft scripts of some of her operas, but she always digresses when asked about them.
Capriccio's Secret 3
Often writes a few phrases on the side of the letters to her pen-pal using her constructed language. When connected together, they would form a passionate poem.
Capriccio's Secret 4
Loves keeping paper records. Every once in a while, she would pick one or two of her etudes and transcribe them on paper to keep, but she seldom looks at them again out of shyness.
Capriccio's Secret 5
Inherited the love of opera from her father, but decided to become an opera singer because of the advice given by a senior in her childhood.
Capriccio's Secret 6
Believes the expression of emotions is not wrong and should be encouraged. Has also tried some bold ways of expression, but never manages to stick to them for long.
Capriccio's Secret 7
Has almost never been exposed to the ethnic instruments of Kowloong. Suona was the first one she came into contact with, but she gave up trying to include it in classical musicals after playing it.
Capriccio's Secret 8
The most heated "peaceful argument" she had with Ayla was centered around how to integrate suona into hard rock.
Capriccio's Secret 9
Is able to express her emotions through her voice or playing instruments during performances, but gets extremely embarrassed when someone sees her practicing in private.
Capriccio's Secret 10
The secrets here were entered in Capriccio's frame by Ayla after she visited those who knew Selena.
Capriccio's Secret 11
Most of the secrets here came from the mysterious pen-pal of Selena.
Capriccio's Secret 12
None of the secrets here is a fantasy or illusion.
| ← Liv: Empyrea | Pulao: Dragontoll → |
